You guys might not be hip to the fact that sometimes stuff gets sped up or slowed down in the mixing and mastering process.
Especially in the days when there would be different speeds of machines that were doing the transfers.
Its easy to get pitch drift. Most of these things were done before digital tech or tuners every thing was its own reference point.
When tracks were transferred to tape for re release the tape speeds can be way different than the original disk . Its all relative , just retune your guitars , it just takes a second. :-B
Heck, I have old tuning forks that are off by a couple of cents to my strobe tuner. 438=A
Some folks tune to pitch pipes . Those things are always flat. The harder you blow the flatter they get.
The Magic really starts to happen when you can play it with your eyes closed
swing68Poznan, Poland✭✭✭Manouche Modele Orchestre, JWC Catania Swing
Posts: 127
Spot on @Al Watsky about variable mastering speeds.
The one that really takes the biscuit for me is Robert Johnson's 'Preaching Blues', around G on the record. No way is the guitar tuned to DGDGBD though, it's a straight EBEG#BE open chord - can't be played otherwise.
But slow the track down to E and it becomes rather mundane in comparison to the amphetamine rush we're all familiar with.
Comments
Especially in the days when there would be different speeds of machines that were doing the transfers.
Its easy to get pitch drift. Most of these things were done before digital tech or tuners every thing was its own reference point.
When tracks were transferred to tape for re release the tape speeds can be way different than the original disk . Its all relative , just retune your guitars , it just takes a second. :-B
Heck, I have old tuning forks that are off by a couple of cents to my strobe tuner. 438=A
Some folks tune to pitch pipes . Those things are always flat. The harder you blow the flatter they get.
The one that really takes the biscuit for me is Robert Johnson's 'Preaching Blues', around G on the record. No way is the guitar tuned to DGDGBD though, it's a straight EBEG#BE open chord - can't be played otherwise.
But slow the track down to E and it becomes rather mundane in comparison to the amphetamine rush we're all familiar with.