Last year I was fortunate to be able to buy a beautiful '77 Favino, but unfortunately I didn't really have the money on hand, so I had to do some unnatural acts with an investment account. To put the money back, I started selling off gypsy guitars, and one that I foolishly let go was a D'Artagnan Model S (for Selmer) D hole that Rodrigo built for me in 2011. In time, I really began to miss that guitar, so I got in touch with Rodrigo late last year about building a new one.
This time around, I had come up with some new thoughts - still wanted a D hole, but not the huge gaping Selmer style. Rodrigo has likened D holes without resonators to "rooms without furniture," an apt description. The small Favino & Castelluccia D holes seemed much more appealing and less likely to create a booming effect. We decided to go with a Favino D hole and pickguard as in this photo of Matelo Ferre:
The guitar shares these characteristics with the one Rodrigo built for Ted Gottsegen recently, which is a Favino sized 12 fret long scale (mine is Selmer sized 14 fret long scale). Rodrigo is calling Ted's " Le Gros Chien" after Maurice Ferre; I suggested that he call this one "Le Petit Chien."
For the top, I chose redwood, after seeing a photo of the stunning D hole that Rodrigo built for Stephane Wrembel:
And finally 50-year-old Honduran rosewood for the back and sides, with Rodrigo's special hand brushed varnish which is very light and allows the woods freedom to move.
Bless his heart, Rodrigo finished the guitar in time to deliver it to me in person at Django in June. It created a small sensation. Several of the professionals played it and loved it, including Samson Schmitt and Olivier Kikteff. It is a masterwork, featuring Rodrigo's customary impeccable workmanship, and the sound is gorgeous, very warm and rich but with a nice gypsy bite. The D hole gives it a nice low end which is nonetheless tight and not at all boomy. As with all of Rodrigo's guitars, it sounds lovely when played softly, but as you dig into it, it seems to go into overdrive and never wimps out.
It is already starting to open up (suppose Samson and Olivier's playing it had anything to do with that?) and will only get better over time.
Here are some photos:
William Brunard playing it:
If any of my videos turn out I'll post them as well.
Anyone want to buy a fabulous '77 Favino? Not sure I need it any more.
Comments
What a Beautiful Guitar very well done post. Loved all the great pictures. Congratulations, may it surpass your grandest expectations and move you to your best playing.
Thanks for the post from Django in June the forums get less busy with all that picking being done there. :-c
pick on
pickitjohn :peace:
Adam
It was great meeting you, too, and hearing your stories of Alaska. Almost makes one want to move there. Oh yeah, except for the extreme cold and the insane politics! Then again, Canada is no picnic.
Funny you mention the Django quote - one of the first people to hear the new guitar said "That thing sounds like a grand piano!"
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
Someone commented on it's piano-like qualities, and I agree. In that way, it reminded me of a 1930's Busato I used to have. Every note was so pure and clear! I was playing it late one night and my wife came out to complain that someone was playing piano. Benny's Shopis is like that! You hit the jackpot, my brother!
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles