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Right Hand Question

24

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  • Rob MacKillopRob MacKillop Edinburgh, Scotland✭✭✭✭
    Posts: 201
    Haha. Seems like a good rule!
  • Lango-DjangoLango-Django Niagara-On-The-Lake, ONModerator
    edited December 2014 Posts: 1,875
    Rob, I too have occasionally found it more practical to do exactly the same thing as you when attempting to play along with Django.

    However, I've always had the nagging feeling that a "real" gypsy guitarist wouldn't want or need to do so...

    My excuse--- and I'm sticking to it--- is: "Hey, fuck off, I'm an old guy! Leave me alone!"

    (BTW, that's a real good looking archtop in your picture... Is that your "Columbian Major"? That's a brand I've never heard of before...)
    BucoRob MacKillopPetrov
    Paul Cezanne: "I could paint for a thousand years without stopping and I would still feel as though I knew nothing."

    Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."

    Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
  • Rob MacKillopRob MacKillop Edinburgh, Scotland✭✭✭✭
    Posts: 201
    Yes, Lango-Django. I found it in a junk-shop about two weeks ago, for £100. It's a Harmony off-shoot, only imported into the UK in 1939. The top is solid spruce, the back and sides are laminates, and beautifully figured. The neck is a nightmare - really thick and heavy. The action is medium, and it currently has D'Addario bronze 12s on, which I might go down to 11s next time I buy a set.
    It's not a Gibson L5, sadly, and the sound is not the best, but with a heavy pick and rest strokes I can coax an acceptable sound out of it. It will do me for six months as I save my pennies for a decent Selmer-like guitar. It does look beautiful, though.

    Looks like I should abandon my "down strokes on down beats" idea I once learned from lute playing! :-)
  • Check to see if the bridge is a really tight fit to the top. Have an old Kay that sounded really nice once I sanded the bridge feet to fit the top contours.
    The Magic really starts to happen when you can play it with your eyes closed
  • Rob MacKillopRob MacKillop Edinburgh, Scotland✭✭✭✭
    Posts: 201
    It seems to be the original bridge, and fits perfectly, thanks. These never were high-level guitars, but it does me fine for the moment.
  • I also have a late 50s Kay archtop which sounds great but very tough to play. It's an ongoing project. Have a bridge I need to lower, but have fitted it top and as @Jazzaferri says once that's done, they sound very sweet! Mine is very dry and gypsy sounding with much less volume.
    Rob MacKillop
  • The neck on mine is sweet. Very much like a Les Paul of the day in shape.
    The Magic really starts to happen when you can play it with your eyes closed
  • My neck is bowed upward a bit beginning at about 12 fret due in part to a bad repair job. I can only lower the bridge so much before the strings make contact being fretted. Still slowly lowering by sanding bridge, which is adjustable at least, so that I can raise if lowered too much by sanding. Only true fix, I fear, is to remove fret wire, level neck, and replace fret wire. It's such a cool old guitar tho!
  • Rob MacKillopRob MacKillop Edinburgh, Scotland✭✭✭✭
    Posts: 201
    Good luck with that. Mine has a straight neck, which is great, but big, deep and heavy - hence the straightness.

    16002910822_6f8bbaa4f7_o.jpgmain by RobMacKillop, on Flickr
  • Rob MacKillopRob MacKillop Edinburgh, Scotland✭✭✭✭
    Posts: 201
    16002910872_a7bfb07ce7_o.jpgHead by RobMacKillop, on Flickr
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