Who is this guitarist? The violinist does sound like Stephane Grappelli but the guitarist is somewhat lacking Django's technique and inventiveness. Help?
I don't think that's QHCF despite the video's title.
Drums & piano... man, that sounds like the wartime quartet Grapelli had in Britain. If so, it's Jack Llewelyn. And check out the ivory-tickling sensation... "You're Hearing... George Shearing" ;-)
But I'm not sure - one of the Brits could probably tell you, but that doesn't sound like QHCF.
You get one chance to enjoy this day, but if you're doing it right, that's enough.
Hmm, the George Shearing CD cover is interesting. That album obviously has some tracks with QHCF, but Jive Bomber track 17 is credited to "Stephane Grappelli Quartet" whatever that means. London cats, probably?
That guitar still sounds like anything but Django to me; if it was Django, there would be little fills and hits everywhere in the comping. There's not a single Django lick. Also the improv is scale-based and playing has a weird "accent" - I don't know how else to describe it but an accent - it's something in the timing, hard to put a finger on it. I will check out some Jack Llewelyn stuff and see if he plays with the same feel.
There's a version from Tim Kliphuis on youtube (Reinier Voet on guitar), maybe they'd know the answer!
It's beautiful whoever it might be. Dynamite arrangement, slick tricks, and a lot of QHFC type sound. It's rare to hear Django's contemporaries coming up to snuff.
"We need a radical redistribution of wealth and power" MLK
... if it was Django, there would be little fills and hits everywhere in the comping.
I don't think the song calls for much of that, but I do hear some in there...
Listen to the B section of the violin solo -- to me those are some seriously Django fills and Django comping..
It sounds to me like the guitar soloist is not playing at all during the first chunk of the song (melody / piano solo)..
Then after the guitar solo, during the violin solo, it sounds to me like the guitar soloist has joined in on rhythm (it's louder than the rhythm guitar was through the piano solo). This is where I hear some Django comping in the B section.
After the violin solo is over, going back into the melody, and out, I don't think there's much more room for any more rhythm guitar trickery, especially with the drummer there taking up a lot of the rhythmic space.
You're definitely right that it's not a very Django-sounding solo, but there's a lot of little subtle things that make me think it's him. I could be wrong.
Huh. Well this turned out to be a very beneficial question - Thanks Gents!
Beneficial - because you made me curious so I went out and looked it up on Allmusic & Discogs and found out that it came from a 1941 London session of Stephane with a bunch of top studio/session players from that era. l don't think I've heard about half of this stuff. I'd heard a few of Hachette's tunes, but they seemed sort of - white men in straw hats singing "vo-de-oh-doe" whereas this is very forward looking jazz for that time.
But I like this session. A British company put out a compilation album of Stephane's war-era sessions called "Stephane's Tune" which goes all the way from the 1938 stuff he did w/ Django, up through the 1941 session that yielded Jive Bomber - and forward to 1942/43 when he was working with Shearing & Beryl Davis
But here's the bizarre part. Amazon.uk won't let me buy it !?! It said: "Enter a card and address that are both local."
How friggin local do I have to be? I'm buying mp3 downloads. Sheesh.
But wait... that's not all! I can buy it from Amazon.com in America, from arbitragers - new for $132.00 or Used from $10 all the way up to the low low price of only $207.00 ... F*n USED CD. $207.00. Seriously.
Comments
Drums & piano... man, that sounds like the wartime quartet Grapelli had in Britain. If so, it's Jack Llewelyn. And check out the ivory-tickling sensation... "You're Hearing... George Shearing" ;-)
But I'm not sure - one of the Brits could probably tell you, but that doesn't sound like QHCF.
you can find this tune on The George Shearing collection 1939-1958
http://www.djangobooks.com/Item/grappelli_1935
It seems to be George Shearing, Stephane Grappelli, and Django.
Btw I disagree - it's not a particularly inspired solo, but that does sound like Django to me.
That guitar still sounds like anything but Django to me; if it was Django, there would be little fills and hits everywhere in the comping. There's not a single Django lick. Also the improv is scale-based and playing has a weird "accent" - I don't know how else to describe it but an accent - it's something in the timing, hard to put a finger on it. I will check out some Jack Llewelyn stuff and see if he plays with the same feel.
There's a version from Tim Kliphuis on youtube (Reinier Voet on guitar), maybe they'd know the answer!
I don't think the song calls for much of that, but I do hear some in there...
Listen to the B section of the violin solo -- to me those are some seriously Django fills and Django comping..
It sounds to me like the guitar soloist is not playing at all during the first chunk of the song (melody / piano solo)..
Then after the guitar solo, during the violin solo, it sounds to me like the guitar soloist has joined in on rhythm (it's louder than the rhythm guitar was through the piano solo). This is where I hear some Django comping in the B section.
After the violin solo is over, going back into the melody, and out, I don't think there's much more room for any more rhythm guitar trickery, especially with the drummer there taking up a lot of the rhythmic space.
You're definitely right that it's not a very Django-sounding solo, but there's a lot of little subtle things that make me think it's him. I could be wrong.
Beneficial - because you made me curious so I went out and looked it up on Allmusic & Discogs and found out that it came from a 1941 London session of Stephane with a bunch of top studio/session players from that era. l don't think I've heard about half of this stuff. I'd heard a few of Hachette's tunes, but they seemed sort of - white men in straw hats singing "vo-de-oh-doe" whereas this is very forward looking jazz for that time.
But I like this session. A British company put out a compilation album of Stephane's war-era sessions called "Stephane's Tune" which goes all the way from the 1938 stuff he did w/ Django, up through the 1941 session that yielded Jive Bomber - and forward to 1942/43 when he was working with Shearing & Beryl Davis
But here's the bizarre part. Amazon.uk won't let me buy it !?! It said: "Enter a card and address that are both local."
How friggin local do I have to be? I'm buying mp3 downloads. Sheesh.
https://www.amazon.co.uk/gp/product/B00DC82DF2/ref=dm_ws_sp_ps_dp
But wait... that's not all! I can buy it from Amazon.com in America, from arbitragers - new for $132.00 or Used from $10 all the way up to the low low price of only $207.00 ... F*n USED CD. $207.00. Seriously.
https://www.amazon.com/gp/product/B000001N4P/ref=ox_sc_act_title_1?ie=UTF8&psc=1&smid=AYQCPJ6ZPTKVL
Or even better, I can join Amazon's streaming service and pay them monthly to listen to music they had no part in creating.
And these corporate rocket scientists wonder why torrents flourish?
(FACEPALM)
Tonight when I get some time, I'll find it on YouTube... provided Youtube doesn't become a cloud subscription service in the next few hours, LOL.
Also noted as (feat. George Shearing, Jack Llewellyn, George Gibbs, Dave Fullerton) [1941]
This one has that funny feel too, like @Wim Glenn said - the "accent".
I'm starting to change my mind, you're right I think that's not Django.
But it's weird, it's like someone trying to do a Django impression.
But it lacks the inspiration and it lacks the excitement.
..so it must be Jack Llewellyn then? I can't find any other examples of his guitar solos, so I can't compare.