Finally an edition that concentrates on Django's bedrock foundation - a breezy, clever, irresistible approach to guitar soloing, much of it based on the genius of Louis Armstrong (to whom Django referred as his "brother"). The first lesson alone was worth ten bucks, covering the use of the minor IV over a dom V chord. Been playing around with that all evening. Easy to grasp and eternally useful.
I purchased this yesterday. While there are plenty of licks to mine, the principles of Django's thirties sound are the real gold here. One could benefit from seriously studying this material and comparing it to solos from this period.
This is well worth purchasing for below what folks around my parts would charge for a single lesson.
altonKeene, NH✭✭2000 Dell'Arte Long Scale Anouman, Gadjo Modele Francais, Gitane DG-330 John Jorgensen Tuxedo
Posts: 109
I am definitely purchasing this. It will help cheer me up from my decision to not go to DiJ this year.
Working my way through it - some real nuggets in there that one can employ right away.
I find myself saying "Oh, I recognise that sound ... so THAT's the logic behind it!"
And some of the note choices that I still ***can't*** see the logic behind are so simple but yet so perfect!
For example, I'd never in a million years have thought of of using an F# note over a Bb dim chord, or a Bb note over an Am chord, but when he does it, it sounds absolutely ravishing and totally Django-esque.
It reminds me of a quote I once read, hope I've got this right...
Verdi: "Compared to Mozart, we are all mandolin strummers."
I wouldn't say that this Duved Dunayevsky dude is another Mozart, but man, does he ever make you feel like a mandolin strummer!
Paul Cezanne: "I could paint for a thousand years without stopping and I would still feel as though I knew nothing."
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
Comments
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
This is well worth purchasing for below what folks around my parts would charge for a single lesson.
I find myself saying "Oh, I recognise that sound ... so THAT's the logic behind it!"
And some of the note choices that I still ***can't*** see the logic behind are so simple but yet so perfect!
For example, I'd never in a million years have thought of of using an F# note over a Bb dim chord, or a Bb note over an Am chord, but when he does it, it sounds absolutely ravishing and totally Django-esque.
It reminds me of a quote I once read, hope I've got this right...
Verdi: "Compared to Mozart, we are all mandolin strummers."
I wouldn't say that this Duved Dunayevsky dude is another Mozart, but man, does he ever make you feel like a mandolin strummer!
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."