I learned years and years ago that I could not play chords with my thumb. I just don't have big enough hands. So, what should I do about these thumb position chords? For example, the root position G7 chord in Example 16 isn't possible without using thumb position. Is it better to lose the root on the bass, or to move the b7 down an octave so that I can keep the low G?
Also, instead of writing a review of the book, I have been thinking about posting a weekly review of what I have practiced and learned so that we can all learn from each others practice routine and what is working. Is anyone interested in reading my practice routine and possibly sharing their own, or am I just way too interested in practicing?
Chris
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Hi Chris!
Actually, size doesn't matter that much, it's more about hand placement. This technique requires "bad habits" that every guitar teacher wants you to get rid of: press your palm against the back of the neck and turn your hand sideways, so your fingers point towards the guitar body (in line with the neck) instead of pointing upwards.
Play the shapes you feel comfortable with. How you play is more important than what chord shape you choose to use as long as it's G7 where G7 is required.
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Chris
For what it's worth I tell all my students that for steel string guitar there is not just one hand position that works all the time. Having a mobile and experienced thumb is incredibily useful. I have even brought mine from in back of the neck and used it to get a bass note I couldn't reach any other way. The thumb is in common use if you play a lot of saz or balalaika so the use of it is not unique to the guitar. Just my 2p.
Great idea! Go for it...
Good luck!
Also, I think listening to different people's practice regimens is pretty interesting. I hope that works out.
Overall, I think you just need to do it everyday for 6 months. It's mostly about muscle memory.
Chris
The Cm7 with the thumb barring the G and C, on the other hand...