I recently knew that our loved song Avalon was a composition of 1920 inspired by the theme of the air "E lucean le stelle" from Puccini's Tosca.
so we can listen clearly here:
i was interested by this thing , i report from the site
http://www.gracyk.com/whiteman.shtml talking about Paul Witheman Orchestra :
The orchestra often played, in dance time, melodies taken from what was regarded at the time as "serious" music. Whiteman's first twelve-inch disc features music from Ponchielli's La Gioconda and, in "Avalon," a melody from Puccini's Tosca (in 1921 Puccini's publisher, Ricordi, actually sued Jerome H. Remick & Co., publisher of "Avalon," for copyright infringement). Two later examples are found on Victor 18777: the label for "Cho-Cho-San" states, "On melodies by G. Puccini arranged by Hugo Frey," and the label for the reverse side featuring "Song of India" states, "Adapted from Rimsky Korsakow's Chanson Indoue by Paul Whiteman." "Oriental Fox Trot" on Victor 18940 "introduces" a melody from Saint-Saens' opera Samson and Delilah. The popular "So This Is Venice" (19252), performed by the orchestra in the Ziegfeld Follies of 1923, was adapted from Ambroise Thomas' "Carnival of Venice."
Borrowing from composers of "serious" music for melodies in popular music did not begin with Whiteman. Ragtime composer George L. Cobb had already gained some notoriety after modifying Grieg's "Peer Gynt Suite" for his "Peter Gink." Cobb also adapted a famous three-note phrase from a Rachmanioff prelude for his "Russian Rag." A decade earlier Irving Berlin borrowed from the classics for his popular "That Mesmerizing Mendelssohn Tune." But few performers borrowed with as much commercial success as Whiteman, and some in the music industry expressed alarm. An editorial in the February 1923 issue of The Musical Observer deplored the trend of "jazzing the classics" and applauded a recent article by Richard Aldrich in the New York Times complaining that "jazz draws the line nowhere." Even worse, the editorial states, is "jazzing the 'spirituals' of the American negroes." It cites organizations that protested in 1922-23 the "jazzing" of "Deep River," including the National Association of Negro Musicians.
any other example of this tipe of ispirations in jazz tunes?
Comments
There's just a few more on youtube.
Here's a sample--
http://petelevin.com/audio/Deacon%20Blues%20demos/04_GYMNOPEDIE_sample.mp3
I first heard this on a local jazz radio station. The rest of the track was good.
1) All the jazz tunes that was inspired by a classic composition
2) Various classic "jazz" arrangements
Just read about these in a book about jazz singing. I don't think I have these recordings in my collection, though I'll check later.