Hi All,
I've been thinking... does Django quote melodies from his era that we don't recognize because they're quite old, but people of his era would instantly recognize? It seems there could be lots of melodies from musettes he used to perform that he could add to jazz improvisations and they would sound completely novel. I'm still amazed by how little Django seems to repeat licks (maybe, er, likely, I need to listen to more recordings, more carefully).
I don't know whether I'll ever be an excellent player if I keep practicing, but I'm absolutely sure I won't be if I stop.
Comments
I suppose he quoted way more on radio broadcasts than recordings, since there were no penalties for "borrowing" or "quoting" themes from other copyrighted songs. They could also go on for an extended period of time and gave Django and his associates more creative freedom. A mistake on a radio broadcast didn't cost them a dime, but a mistake on a recording and they could be forced to do another take, and it wasn't free, you know. So they were more restricted and careful on normal 78rpm recordings.
Django's Dream (Debussy's "Reverie") intro is a quote from "Prélude à l'après-midi d'un Faune" by the same Debussy.
The theme of "Danse nuptiale / moppin' the bride" is an adaptation from la "marche nuptiale"
These are a few examples that came to my mind.
Also the intro of "When day is done" is a quote from Maria Elena (not sure about this one but it is a quote...)
Django quotes "Chicken reel" in his 1949 "NIght and day" rendition and his own "Anouman" in "Troublant Bolero"...
etc..etc.. !
Geez, read the question, fellas!
:P :P :P
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles
As the man said its not the stuff that you know you don't know that gets ya it's the stuff you don't know you don't know.
youtube.com/user/TheTeddyDupont
"It's a great feeling to be dealing with material which is better than yourself, that you know you can never live up to."
-- Orson Welles