crookedpinkyGlasgow✭✭✭✭Alex Bishop D Hole, Altamira M & JWC D hole
Posts: 925
Mm. How would you know for sure - unless it came from Stephane or Joseph or someone really close to Django ? Also it looks really lumpy. However I can imagine Django using something like that - it kinda fits somehow.
I just received a back issue of Flatpicking Guitar Magazine, Volume 6, #6, Sept./Oct. 2002 with John Jorgenson on the cover. There's an interesting story about how John acquired his Selmer... the music store he bought it from, and the man who sold it to the store. Some details missing, but what details are there leads back to Django.
I find it hard to believe that Django played this big plectrums (over 4mm) extensively. The sound from these are just so clicky that I can't here it on any of Django's recordings. Anybody share the same feelings?
I don't think shell would be as clicky as the synthetics used today. I've played with 2.5mm shell and it was very warm. It would be hard to think that back then guitarists worried too much, or even at all, about a bevel on their picks. Any bevel (I imagine) would be worn into it from so much play time.
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@crookedpinky
I know what you mean, I like the details too.
I just received a back issue of Flatpicking Guitar Magazine, Volume 6, #6, Sept./Oct. 2002 with John Jorgenson on the cover. There's an interesting story about how John acquired his Selmer... the music store he bought it from, and the man who sold it to the store. Some details missing, but what details are there leads back to Django.