Reinier Voet has, in one of his 50 Gypsy Jazz guitar licks video series, the easy way to get into "outside" playing. Basically if you have a full bar or more of the same chord, you can play a lick in key and then move a half step or a fret up and play the same lick and then go the other way, half step down and play the same lick, eventually resolving by finishing the lick back in key.
Kenny Werner did an example something like that years ago when he demo'do playing I can't remember which jazz standard in the regular key with his left hand and the melodic line in the key a semi tone up. It actually sounded pretty cool.
The Magic really starts to happen when you can play it with your eyes closed
you can play a lick in key and then move a half step or a fret up and play the same lick and then go the other way, half step down and play the same lick, eventually resolving by finishing the lick back in key.
Works with chords, too.
This was an old trick favoured by Eddie Lang when the harmony stayed in one place for a few bars, usually on the tonic chord.
He would simply move the whole chord up or down a fret or two, eventually coming back to the correct fret.
Try this when backing a solo instrument, but it may not work as well if there are any other rhythm guitarists playing along.
Strangely enough, you CAN get away with doing this when playing along with a pianist who just stays on the tonic chord while you are jumping all about.
I don't know why...
Paul Cezanne: "I could paint for a thousand years without stopping and I would still feel as though I knew nothing."
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
Comments
Works with chords, too.
This was an old trick favoured by Eddie Lang when the harmony stayed in one place for a few bars, usually on the tonic chord.
He would simply move the whole chord up or down a fret or two, eventually coming back to the correct fret.
Try this when backing a solo instrument, but it may not work as well if there are any other rhythm guitarists playing along.
Strangely enough, you CAN get away with doing this when playing along with a pianist who just stays on the tonic chord while you are jumping all about.
I don't know why...
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."