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I will miss him.
He was also a fund of interesting anecdotes.
He was definitely a pivotal figure in bringing this music to more mainstream attention. It wasn’t possible for most people to learn to play in this style, but Ian had the idea that since Django was a gypsy, perhaps the music might have been handed down. He went to France on the offchance, and by coincidence happened upon a massive gypsy gathering, where sure enough he found people playing Django style music.
He was promoting, teaching and playing this stuff many years before anyone else caught on to it.
Ian put on concerts in the UK – I think he put on Birelli Lagrene when Birelli was only about 12.
I agree that he wasn’t always easy – but I also agree that he was nice. He was perhaps impatient with people who he thought ought to know better, but with people who were keen and enthusiastic to learn, I found him very patient, and he seemed to take a certain delight in passing the knowledge on.
He would ask me how I’d been getting on. Now I won’t be able to tell him.
I read somewhere that his daughter is considering putting a book together with all of his anecdotes and she mentioned that he has enormous collection of photographs mostly unseen by public.
Maybe somebody can assist and encourage her?
Having seen this thread, and also having just completed the task of adding a much needed "history" section to the wikipedia entry for "gypsy jazz", I also thought Ian deserved a WP page of his own so have just created one. Take a look here if interested:
https://en.wikipedia.org/wiki/Ian_Cruickshank
As usual, if I have missed or mangled anything, please let me know (or make your own adjustments as needed). Best - Tony
Many thanks, Tony, for bringing together all this information on Ian Cruickshank's contribution.
I found an old cassette of Ian's Gypsy Jazz album at home. I've acquired a recorder to digitize cassettes so could share with anybody who's interested. In fact there are already 4 of the tracks on Youtube: https://www.youtube.com/user/DjangoMan1963/videos
This all led me to delve more: @TonyRees your Wikipedia page on him is superb.
I hadn't realised he was a former bluesman playing under the name "Spit James" with Keith Hartley (veteran drummer who took over from Ringo Star in Rory Storm and the The Hurricanes who were big in Hamburg clubs in the early 60s, a path I trod myself in my abortive 60s rock guitar days). Hartley then played with John Mayall on a couple of albums until he was sacked for a “dress code violation". Hartley's Renegade album opens with "Sacked", a homage to this departure, and has some lively blues guitar from Ian Cruickshank.
Okay, Bill, you’ve teased us enough, so dish!
I think I speak for everyone when I say that I want to hear the story of your days as a rock and roller!
And please!
Make it as long as you want, because none of us are really going anywhere, anyway...
Will
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
I'm not convinced that isn't a doors recording.