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Ian Cruickshank

2

Comments

  • spatzospatzo Virtuoso
    Posts: 770
    Yes Ian was a nice guy, not always easy but a nice one. I remember him explaining me how the melody of "Pêche à la Mouche" exactly fitted the fishing act with its main phases : loading, delivery, fly casting and final retrieving. For him Django's music was an evocation of his first years when he was a boy and his mother was cooking for the family while he was quietly listening to Django's records.
    ConorFBucoBillDaCostaWilliamsJojolostjohnJosechiky
  • HereticHeretic In the Pond✭✭✭
    Posts: 230
    Ian's VHS tape was my introduction to Django's music. He and I had corresponded several times over the years. Not only did I admire his technique and playing, but I found him to be a lovely man. He was always kind to me, and gave me lots his time to answer my questions.
    I will miss him.
    Josechiky
  • TrevorTrevor Sheffield UK
    Posts: 8
    I knew Ian a little – I went to a couple of guitar weekends that he was teaching on. I found him very encouraging and good humoured. He was very musical, and his lead playing was a delight. Being shown a couple of the ‘fundamentals’ was a huge eye-opener for me, and there’s no question but that it changed my life. It was like having a door opened in my mind.
    He was also a fund of interesting anecdotes.
    He was definitely a pivotal figure in bringing this music to more mainstream attention. It wasn’t possible for most people to learn to play in this style, but Ian had the idea that since Django was a gypsy, perhaps the music might have been handed down. He went to France on the offchance, and by coincidence happened upon a massive gypsy gathering, where sure enough he found people playing Django style music.
    He was promoting, teaching and playing this stuff many years before anyone else caught on to it.
    Ian put on concerts in the UK – I think he put on Birelli Lagrene when Birelli was only about 12.
    I agree that he wasn’t always easy – but I also agree that he was nice. He was perhaps impatient with people who he thought ought to know better, but with people who were keen and enthusiastic to learn, I found him very patient, and he seemed to take a certain delight in passing the knowledge on.
    He would ask me how I’d been getting on. Now I won’t be able to tell him.
    BucoBillDaCostaWilliams
  • Posts: 4,921
    @Trevor I just wanted to tell how beautiful is what you wrote.

    I read somewhere that his daughter is considering putting a book together with all of his anecdotes and she mentioned that he has enormous collection of photographs mostly unseen by public.
    Maybe somebody can assist and encourage her?
    Every note wants to go somewhere-Kurt Rosenwinkel
  • TonyReesTonyRees New South Wales, Australia
    Posts: 140
    I corresponded with Ian a few times in the early 80s when I was discovering this music and he was "the man" (in the UK at least) who knew the most about it at that time, also had been to France and had made some of his recordings available on a cassette "Gypsy Jazz from France" with recordings of the Ferres, Raphael Fays etc. from Samois in 1978 or so. His letters were very friendly and informative and I still have them in a file...

    Having seen this thread, and also having just completed the task of adding a much needed "history" section to the wikipedia entry for "gypsy jazz", I also thought Ian deserved a WP page of his own so have just created one. Take a look here if interested:

    https://en.wikipedia.org/wiki/Ian_Cruickshank

    As usual, if I have missed or mangled anything, please let me know (or make your own adjustments as needed). Best - Tony
    lostjohnBillDaCostaWilliamsBucoChrisMartin
  • TonyReesTonyRees New South Wales, Australia
    Posts: 140
    RE the above: I also added my own photo of Ian with his group to the wikipedia page. For a full list of my photos (some GJ but by no means all) you can see here: https://en.wikipedia.org/wiki/User:Tony_1212 .
  • BillDaCostaWilliamsBillDaCostaWilliams Barreiro, Portugal✭✭✭ Altamira M01F, Huttl, 8 mandolins
    Posts: 652
    A great tribute!
    Many thanks, Tony, for bringing together all this information on Ian Cruickshank's contribution.

  • BillDaCostaWilliamsBillDaCostaWilliams Barreiro, Portugal✭✭✭ Altamira M01F, Huttl, 8 mandolins
    Posts: 652

    I found an old cassette of Ian's Gypsy Jazz album at home. I've acquired a recorder to digitize cassettes so could share with anybody who's interested. In fact there are already 4 of the tracks on Youtube: https://www.youtube.com/user/DjangoMan1963/videos

    This all led me to delve more: @TonyRees your Wikipedia page on him is superb.

    I hadn't realised he was a former bluesman playing under the name "Spit James" with Keith Hartley (veteran drummer who took over from Ringo Star in Rory Storm and the The Hurricanes who were big in Hamburg clubs in the early 60s, a path I trod myself in my abortive 60s rock guitar days). Hartley then played with John Mayall on a couple of albums until he was sacked for a “dress code violation". Hartley's Renegade album opens with "Sacked", a homage to this departure, and has some lively blues guitar from Ian Cruickshank.


    BucoTonyRees
  • Lango-DjangoLango-Django Niagara-On-The-Lake, ONModerator
    Posts: 1,868

    Okay, Bill, you’ve teased us enough, so dish!

    I think I speak for everyone when I say that I want to hear the story of your days as a rock and roller!

    And please!

    Make it as long as you want, because none of us are really going anywhere, anyway...

    Will

    jonpowlBillDaCostaWilliams
    Paul Cezanne: "I could paint for a thousand years without stopping and I would still feel as though I knew nothing."

    Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."

    Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
  • Posts: 304

    I'm not convinced that isn't a doors recording.

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