Could you give some examples of what bad rhythm, or wrong technique might sound like. In your book you mention the galloping sound. Could you post an audio clip of this?
Thanks Michael for the fast response. Being able to directly talk with the author of Gypsy Rhythm and having that connection makes your teaching materials and the process even better.
Looks like I have alot of rhythm work to practice, I noticed when I do try to play faster, I get this galloping noise.
I just thought it would be interesting to hear bad vs. correct as a direct comparison, with the same chord & tempo. I'm sure you don't have "bad" examples in your book. There I go, trying to get something for nothing..... :oops:
But more specifically, the biggest problem for beginners is getting the upstroke properly coordinated. Usually they do it too slow, and too loud which gives a clunky galloping effect. My example above isn't really bad enough, I should probably try harder to make it worse by exaggerating the upstroke problems.
The early Django style had a slower upstroke, rarely as slow and loud as the example above. But sometimes close....but today's players almost never play that way. The upstroke has gotten progressively faster and subtler over the years. And of course, some styles omit the upstroke altogether.
Comments
Looks like I have alot of rhythm work to practice, I noticed when I do try to play faster, I get this galloping noise.
Thanks
Maybe now, an example of how to play the same thing correctly? Thanks!
Larry
www.impromptujazz.com (my gypsy-jazz website)
Gypsy
Rhythm, Volume 1
Larry
www.impromptujazz.com (my gypsy-jazz website)
I got a look at this book at samois and will definatly be purchasing it soon.. that bad rythm example really spooked me..
How do you define "bad" rhythm?
youtube.com/user/TheTeddyDupont
Anything which doesn't swing!
But more specifically, the biggest problem for beginners is getting the upstroke properly coordinated. Usually they do it too slow, and too loud which gives a clunky galloping effect. My example above isn't really bad enough, I should probably try harder to make it worse by exaggerating the upstroke problems.
The early Django style had a slower upstroke, rarely as slow and loud as the example above. But sometimes close....but today's players almost never play that way. The upstroke has gotten progressively faster and subtler over the years. And of course, some styles omit the upstroke altogether.
Perhaps you could give some examples of Django recordings which you think have "bad" rhythm.
youtube.com/user/TheTeddyDupont