I've loved the Baggs Para and it's been great playing through a PA, mainly for tweaking volume and tone as my Allen and Heath has built in preamps. I've found that the Para is overkill and unnecessary with my Fishman which I run to PA. I agree totally that band should adjust volume level, which is so much easier totally acoustic or playing a quiet "concert" ssetting. Loud bars and cafes that have terrible acoustics make hearing a solo almost impossible tho. The Boss unit worked very well for a minimal solo boost at in indoor and outdoor venue. @Buco I don't use my Baggs when mic-ing. It's not necessary to use a preamp with my AT 70. I was gonna do the same and get the Venue, but since I don't use a preamp, the price tag on the Venue isn't worth it. A new Boss is $120 or less. The Venue is $299!
I use a AT Pro70 mic clipped on my DuPont and have found that the mic sounds even better with a preamp. I had been using an LR Baggs Para DI but it lacks a boost and a few other features. I looked into the Zoom A3 preamp pedal. Initially I was a bit unsure not being familiar with Zoom products (although John Jorgenson uses the earlier version). Well I've been gigging with one for a few weeks now and it's been working out great.
The pedal has a boost (with tone control) as well as eq, anti-feedback, mute button, pickup input, tuner, and a ton of effects. There's guitar remodeling for pickups but I bypass all that when using a mic. Mainly I use it for eq, clean boost, and a touch of reverb. With mute, anti-feedback and tuner it's all there in one versatile, compact unit, build like a tank and quiet.
Because of all the features it's best to find a good setting or two ahead of time and, other than fine tuning the eq, not fiddle with it on stage. Found mine for $180 new. It's solved a lot of problems and the setup is simple.
With Para I can definitely get significantly more headroom before feedback when using mic (Myers mic). I really like being able to use a preamp to counter the room effect we're playing in.
One use scenario I realized would be nice to have a bost is when I play with fingers. We play a few Jobim tunes and that's when my volume really disappears.
Boy is that A3 a Swiss knife of acoustic pedal or what? I'm very interested now.
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I do use Baggs Para DI, if I see a good deal on a Venue I'll grab it and sell the Para.
I suspect adding a boost into the chain with Para will not give me more volume before feedback out of a mic?
@Buco I don't use my Baggs when mic-ing. It's not necessary to use a preamp with my AT 70. I was gonna do the same and get the Venue, but since I don't use a preamp, the price tag on the Venue isn't worth it. A new Boss is $120 or less. The Venue is $299!
The pedal has a boost (with tone control) as well as eq, anti-feedback, mute button, pickup input, tuner, and a ton of effects. There's guitar remodeling for pickups but I bypass all that when using a mic. Mainly I use it for eq, clean boost, and a touch of reverb. With mute, anti-feedback and tuner it's all there in one versatile, compact unit, build like a tank and quiet.
Because of all the features it's best to find a good setting or two ahead of time and, other than fine tuning the eq, not fiddle with it on stage. Found mine for $180 new. It's solved a lot of problems and the setup is simple.
https://www.zoom-na.com/products/guitar-bass-effects/acoustic/zoom-a3-pre-amp-effects-acoustic-guitar
One use scenario I realized would be nice to have a bost is when I play with fingers. We play a few Jobim tunes and that's when my volume really disappears.
Boy is that A3 a Swiss knife of acoustic pedal or what? I'm very interested now.