OK, I just got my Gonzalo Bergara "How I Learned" books, volumes one and two...
(and btw, thanks to 'a certain someone'--- no, it wasn't Gonzalo, but I hope 'that person' reads this and recognizes themself!--- for his/her thoughtfulness in the way they filled out that little declaration slip for Canadian Customs on the mailing envelope...)
Now, anyway, here's the thing... I've just worked through two numbers so far, "All of Me" and "Minor Swing" and because of all the new-to-me fingerings, I'm having trouble keeping up with Gonzalo, even playing his 5 mph versions!
So I guess what I'm hoping for is that somebody who's already been through this process will hold my hand and tell me that it's going to be all right... that I WILL be able to do this sometime in the next seventeen years...
Sniff, sniff, boo hoo... (okay, I admit it, I'm a big fucking crybaby!)
Will
Paul Cezanne: "I could paint for a thousand years without stopping and I would still feel as though I knew nothing."
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
Comments
I think we can all relate. From Gonzalo himself: "if you can't play as fast as the examples, don't play that fast!" Take it at whatever tempo you can manage (and by manage, I mean the notes are cleanly articulated and sound as good as they can. Gonzalo calls these "bubble notes," for some reason.) and don't worry about speed. It will come. As Michael, Gonzalo, and nearly everyone else will tell you, focusing on speed will just put your mistakes into muscle memory. Get a metronome, set it slow, and enjoy the journey.
Best,
Chris
Then once I have the two-bar chunks down, I've put together eight-bar chunks and I try to play along with that.
So far I can play the first eight bars of "Minor Swing" with reasonable accuracy at Gonzalos's slow speed... at this rate I figure I'll be able to do all 32 bars at the slow temp in a week or so.
What's great about it is that I'm learning all sorts of arp fingerings I would never, ever have thought of in a million years, so I think it'll be worth all the effort.
Will
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
Or you can just stick with what works!
Hope this helps!
Actually despite all my whining, it's coming along pretty well, and when I do try to play it absolutely solo I can now usually make it all the way through with only minor mistakes... it's funny how your fingers get to know these patterns and get comfortable playing them, isn't it?
I sure like the way Gonzalo made it all in eighth notes, because it's hard enough to learn the finger patterns without being distracted by reading issues!
I guess you all know the old joke:
Q: "How do you make a guitar player turn down his amp?"
A: "Put some music in front of him."
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."
You can cut up sections and save them as independent files too.
For $50 is worth every penny, I use it everyday.
http://www.seventhstring.com/
I especially like the newest version of it. Version 8 kicks ass over version 6 or 7.
which reminds me, i got to fire up my "how i learned" CD and start playing songs. i´ve only tried picking patterns until now...
thanks,
Miguel.
It's a nice place to find some phrases that work for you and start doing what Denis suggests in his first improv cd: commit to memory and start tweaking with the phrases to make them your own.
Anyhow, nice book. I have to get Vol 2 at some point.
I've been frustrated by the fact that the tunes on my Gonzalo CD's automatically opened up as iTunes files and not QuickTime files... Why do I like QuickTime files better? Because I can change the tempo and even the pitch if I want to.
But by going to "the Get Info" menu--- alas, I can't presently remember whether that is under the File menu or the Edit menu--- you can choose to open those Gonzalo files as QuickTime files instead of iTunes files...!!!
I'm not saying that QuickTime is superior to Audacity or Transcribe or Amazing Slowdowner or any of the others that folks around here seem to like... it's just that QuickTime came free with my Mac, and I don't have enough money right now to buy anything else... I got into enough trouble with She Who Must Be Obeyed when I bought the two Gonazalo methods!
Anyway, if you are a Mac user, I hope this free fix works for you.
Will
PS To tell the truth I'm kind of waiting to see what our fellow djangobooks.com member Adrian from Chicago comes up with... Adrian's the computer programmer who developed that SoundSlicer program that some of you may have seen... hopefully it will do all the things that the other programs do, PLUS display a guitar tab window... so we wouldn't need books made out of paper as we learn our licks... stay tuned!
Edgar Degas: "Only when he no longer knows what he is doing does the painter do good things.... To draw, you must close your eyes and sing."
Georges Braque: "In art there is only one thing that counts: the bit that can’t be explained."